Indian sarees supplier today: Red is the most favoured colour for wedding saris and is a traditional garment choice for brides in Indian culture. Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk saris are Banasari, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. are traditionally worn for festive and formal occasions. Discover additional details at Shop Bengal Cotton Sarees Online.
Textiles, just like with everything else, will continue to evolve as time passes. However, a ‘revival’ needs to go beyond just a trend, and instead grow organically and sustain a momentum, says Garg, whose work on the Mashru fabric (a handwoven mix of cotton and silk) over the past decade has led to a revival of the textile. A handmade sari is a testament to the skill and creative genius of the mostly rural artisanal families that make them. Techniques and expertise have been passed down in these families from generation to generation over centuries. The more intricate silk saris take many weeks to make. A weaver of Kanjeevaram saris once who told me how he passes his blessings to the wearer of the saris he creates. He wishes the bride who wears it the strength of the elephants, the grace of a gazelle and a life of abundance represented by the trees, as he weaves each of these into his creations, says Kadam.
India remains one of the last great handicraft cultures. It’s a powerhouse for dyeing, printing, and silk weaving, all represented in at least one of the estimated 30 regional varieties of saris. In the Ganges riverfront city of Varanasi, weavers bend over old-school wooden looms to make Banarasi silk ones, usually in bright red, trimmed with metallic zari thread, and prized by brides. In tropical Kerala, predominantly white sett mundu saris reflect styles popular before 19th-century industrialization brought the colorful aniline dyes—and Crayola-box brights—spotted around the subcontinent today.
Fashion is also essentially a self-sustaining art that keeps evolving. In 2008, the French fashion label Hermès debuted their “Hermès saree” line, just in time for the Diwali festival. In 2008, Alexander McQueen’s ready-to-wear collection was shown in Paris. It was inspired by the designer’s journey to India and was a fusion of Indian and British fashion. Through the production of fusion designs, global designers are connecting to Indian culture and its exquisite customs. Foreign designers must comprehend Indian fashion aspects, personality, culture, history, and customs to “Indianize” items, which is critical for their growth and acceptance in the local market. The beauty of a saree is that it belongs to whoever wears it, irrespective of the difference in the draping styles. The saree, in its nine yards, carries the evolution that it has gone through, it embraces it in every pleat. The first mention of saree can be found in the epic of Mahabharata and therefore with Draupadi’s unending saree, the tale of saree will go on and on.
Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Find more details on https://silkpetalss.com/.
Six to nine metres in length, the sari is seen on catwalks, in Bollywood movies, and on the streets of rural and urban India. Worn by women from all walks of life, it epitomises grace and timeless elegance. To Aradhana Chandra, a special needs educator and Hong Kong resident from Bijnor, in India’s Uttar Pradesh state, the sari is much more than a piece of clothing. It is a repository of her family history and a reminder of who she is. My love of saris comes from my mother. It is probably the only garment that I ever saw her wear. There was a sari to sleep in, a sari for household chores, a sari to wear to the bazaar and a sari to wear to weddings, says Chandra, 52, who was inspired to create a Facebook platform called Sari Sisters Hong Kong for women in the city to share stories about the garment.