Top Bengal cotton sarees online supplier: Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk sarees are Banarasi, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bhagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. Years later with the advent of foreigners, the rich Indian women started asking the artisans to use expensive stones, gold threads to make exclusive saris for the strata, which could make them stand out clearly. But sari did remain unbiased as a garment and was adapted by each stratum, in their own way. That was the beauty of the garment, that still remains. Find additional information on Shop Indian Sarees Online.
Textiles, just like with everything else, will continue to evolve as time passes. However, a ‘revival’ needs to go beyond just a trend, and instead grow organically and sustain a momentum, says Garg, whose work on the Mashru fabric (a handwoven mix of cotton and silk) over the past decade has led to a revival of the textile. A handmade sari is a testament to the skill and creative genius of the mostly rural artisanal families that make them. Techniques and expertise have been passed down in these families from generation to generation over centuries. The more intricate silk saris take many weeks to make. A weaver of Kanjeevaram saris once who told me how he passes his blessings to the wearer of the saris he creates. He wishes the bride who wears it the strength of the elephants, the grace of a gazelle and a life of abundance represented by the trees, as he weaves each of these into his creations, says Kadam.
India remains one of the last great handicraft cultures. It’s a powerhouse for dyeing, printing, and silk weaving, all represented in at least one of the estimated 30 regional varieties of saris. In the Ganges riverfront city of Varanasi, weavers bend over old-school wooden looms to make Banarasi silk ones, usually in bright red, trimmed with metallic zari thread, and prized by brides. In tropical Kerala, predominantly white sett mundu saris reflect styles popular before 19th-century industrialization brought the colorful aniline dyes—and Crayola-box brights—spotted around the subcontinent today.
Fashion is also essentially a self-sustaining art that keeps evolving. In 2008, the French fashion label Hermès debuted their “Hermès saree” line, just in time for the Diwali festival. In 2008, Alexander McQueen’s ready-to-wear collection was shown in Paris. It was inspired by the designer’s journey to India and was a fusion of Indian and British fashion. Through the production of fusion designs, global designers are connecting to Indian culture and its exquisite customs. Foreign designers must comprehend Indian fashion aspects, personality, culture, history, and customs to “Indianize” items, which is critical for their growth and acceptance in the local market. The beauty of a saree is that it belongs to whoever wears it, irrespective of the difference in the draping styles. The saree, in its nine yards, carries the evolution that it has gone through, it embraces it in every pleat. The first mention of saree can be found in the epic of Mahabharata and therefore with Draupadi’s unending saree, the tale of saree will go on and on.
Silk Petalss was born from a career Investment Professional’s love for the rich heritage of Indian handcrafted textiles and artefacts. Her admiration for the beautiful heritage weaves and products saw her travelling widely through interior villages and towns of India, interacting with the weaving community and understanding their perspective and concerns. Awareness about their issues, specifically post Covid19, the need to protect the community and our rich heritage led to Silk Petalss being created. See additional information on https://silkpetalss.com/.
The popularity of the sari has a great deal to do with its versatility. The sari can be draped in nearly a hundred ways, allowing the wearer to style it so as to look formal or casual. Most of the drape styles are specific to different regions of India and, just like the food and regional languages, are a result of context, geography and function, explains 39-year-old Malika Verma, co-creator with Rta Kapur Chishti, 72, a sari historian, textile scholar and co-author of Saris: Tradition and Beyond, of the The Sari Series, a series of 84 short films documenting India’s regional sari drapes.