Top income on Youtube ? The Russian-born 5-year-old has become one of the world’s fastest-growing creators, thanks to videos in seven languages that feature her playing with her dad on her channels including Like Nastya. Brands have noticed, with Legoland and Dannon shelling out at six figures to work with her. Five friends in their 30s—Coby Cotton, Cory Cotton, Garret Hilbert, Cody Jones and Tyler Toney—play sports, perform stunts and break Guinness World Records. Their videos, like “Bowling Trick Shots” and “Bubble Wrap Battle,” helped them score a TV contract The Dude Perfect Show, which airs on Nickelodeon.
Seth Rogen stars as a reporter who ends up crossing paths again with his former babysitter, played by Charlize Theron. Big twist? She’s also Secretary of State. But the impossible set up proves to be a charming enough entry with the help of its cast. Rogen and Theron make up for more than a few structural issues in this otherwise hilarious comedy. The Beach Bum should have just been terrible, and yet, it is the absolute perfect comedic vehicle for Matthew McConaughey. While the actor has been making more dramatic turns lately, The Beach Bum has him playing the slightly scruffy, rough around the edges stoner bro that’s always prepped and ready for a drink on the beach. It’s not his greatest film, but if any movie has captured McConaughey’s aesthetic, it’s this one.
The internet loves animals. So the fact that this clip ranks in the top 10 most popular YouTube humor clips ever should come as no surprise. The clip is only 17 seconds long, but it’s guaranteed to lighten your mood. In the video, a mother panda is chewing away on a snack while her baby naps on the ground next to her. Suddenly the baby sneezes and surprises everyone watching. See extra funny videos on YT.
Best video for a song in 2019 ? The east coast sibling to Lana Del Rey’s The Greatest: how did we get here, with antisemitism resurgent and “wicked snakes inside a place you thought was dignified”, Ezra Koenig asks? As with Del Rey’s valedictory ballad, he avoids obvious musical darkness and shoots for a more striking contrast by invoking the vivid, happy sounds of various 20th-century utopias: the pattering hand percussion calls back to hippies sitting in circles during the age of Aquarius; its sweet guitar filigree is straight out of Mister Rogers’ Neighborhood, the show that taught empathy to a generation of American kids. The rising piano chatter sits halfway between house music and Bruce Hornsby, and by the time the shaky beat kicks in, it’s turned into the ecstasy-laced optimism of the Stone Roses. These eras rise and fall, Koenig suggests, offering his own song so it might be remembered as a gesture of hope and intellect during a particularly senseless one.