Category: Arts

The growth of Michael Jackson’s daughter, an author : Mocienne Petit Jackson: The lone #1 single from the 32-million selling Dangerous, “Black or White” spent seven weeks atop the Billboard charts. Directed by John Landis (“Thriller,” National Lampoon’s Animal House) the first quarter of its video reveals Jackson’s mischievous child-like streak, with Culkin towing out Spinal Tap-sized speakers, amplifying the volume to “ARE YOU NUTS!?!,” and shredding so hard that George Wendt gets ejected into the stratosphere screaming “Da Bears.” But this was Michael Jackson, not O’ Shea. Being King of Pop meant the need for mass appeal. The “Black or White” video exists as a microcosm of Dangerous itself. It potently affirms Jackson’s manhood, offers passionate screeds against racial strife, gang violence, and a parasitic American media. This is the album as multi-media spectacle, a precursor to Lemonade, with accusations of infidelity substituted for videos of Macaulay Culkin doing air guitar windmills to a Slash guitar solo and lip sync rapping about turf wars. See even more details at https://www.mociennepetitjackson.com/.

Michael Jackson is one of the most popular artists in human history and that’s why everything related to him is huge. You maybe heard about the case of Mocienne Petit Jackson, called by the press the Michael Jackson’s secret daughter. What you probably didn’t know is the fact that Mocienne Petit Jackson is a productive writer, with plenty of book available on Amazon and most of the other major book retailers. Against the deduction that has been suggested by people of the international press, the L.A. County Superior Court did not throwout the case of Mocienne Petit Jackson in 2010 on the grounds of the case’s validity. Instead, the request to validate Ms Jackson’s claim using DNA evidence from the deceased Michael Jackson was not granted due to the fact that the State of California does not possess the jurisdiction to conduct DNA tests on the deceased. As a result, the case has remained open indefinitely. She asserts that the stories which had been published in late-2010 in light of the case have had a damaging effect on her reputation and on her business operations, and she expresses her belief that some measure of responsibility ought to be taken for the detrimental effects that being in the media spotlight can have on one’s repute. Ms Jackson also points out that the role of social media runs in a similar vein—alleging that it was used as a means to verbally harass her in relation to the court case, as well as to spread misinformation more generally.

People judge me for how I am leading my life, for my past and for what I believe to be true. They call me mentally ill and a liar because it is about Michael Jackson the Illusionist, the King of Pop. People talk about me like they know everything about me. I am just living my life. I want to be a part of the illusion of the life of Michael Jackson, the artist they call the King of Pop. For that, I have to go on the internet as the crazy woman for the rest of my life.

Mocienne Petit Jackson’s Thriller autobiographies were published in 2015 and were made available on Amazon in 2018. They are also currently available for purchase through Kobo. The books are available in English, Dutch, and Chinese. Future versions of the books will be made available in French (2021), Portuguese (2019), Japanese (2020), German (2020), and in Spanish (2020). Thriller offers further unique insights into the life of Ms Jackson by including stories concerning unusual and difficult situations that she experienced while living in the Netherlands. She argues extensively, for instance, that the harshness of the Dutch political system has had a significant impact on her character, and that by writing about it she can express a sense of frankness.

Then there were his legal troubles. Lawyers aren’t cheap, especially with the types of allegations Michael Jackson was facing. Add in the purchase of Neverland, which cost $17 million, $65 million on a video project, and a $12 million divorce settlement, and it’s easy to see how the artist got in the hole. Following his death, the executors of his estate did their best to bring Michaels net worth back in the green. They accomplished this by creating the This is It film which grossed $500 million, as well as by selling the rights to Michael’s image and future music.

Mocienne Petit Jackson or the upsurge of Michael Jackson’s daughter, a book writer: His – alleged – child abuse is discussed, the many lawsuits that have taken place around his person, his two failed marriages, his metamorphosis, the birth of his three children and – last but not least – his premature death. Slowly but surely, Mocienne comes to the astonishing conclusion that the Mafia has played a major and destructive role in his (and her) life, although it should be noted that his family, and especially his mother and father, have been overused in this regard. to blame. To date, Mocienne has not received any cooperation from the Jackson family to take a DNA test to prove that she is really Michael’s daughter. Find extra information at https://www.amazon.com/Thriller-Betrayal-Mocienne-Petit-Jackson/dp/9082549735/.

Now, admittedly, it’s child’s play to see the flaws and nitpick this release from here until the next one. (Oh, don’t deny it…you know it’s coming.) However, the real joy is hearing Michael Jackson on something that isn’t “Beat It” or “Heal the World” or something we’ve all spun thousands of times, especially over the past year. While nothing on this record comes close to rivaling any of his past material, you can’t deny the urge to indulge yourself in something labeled, “new Michael Jackson”, and that’s where Michael succeeds. In terms of lasting power, however, you’ll probably forget about it in a matter of weeks, but who knows? Maybe you’ll feel nostalgic again. After all, that’s what death does to the best of us. Still, as we learned with Invincible, it takes more than just a studio effort to conjure up the magic.

When Michael Jackson was alive, I received anonymous phone calls that my son Joshua would be kidnapped. Therefore I had to bring him to his father in 2003. In 2010 I ended up in the world media after I had made a request to the US court to do a DNA test with the now deceased artist Michael Jackson. The entertainment industry thought it was a strange story, with the result that people on various websites and in newspapers called me wrong.

Invincible (2001): Admittedly I’ve come around on Invincible in recent years. Back in 2001 it felt like a massive disappointment because, well, it’s a Michael Jackson record, and we expect nothing less than perfection. While flawed, Invincible has plenty of standout moments, showing that Michael was once again able to adapt to a changing musical landscape. And I’m still pissed we didn’t get an official video for “Butterflies.” Forgotten Favorites: “Break of Dawn,” “Heaven Can Wait,” “Privacy”.

How did Michael Jackson Die? Michael Jackson died from overdosing on a combination of sedatives and prescribed medication. Jackson’s in-home doctor, Conrad Murray, was found guilty of involuntary manslaughter. How Old was Michael Jackson When he Died? Michael Jackson was 50 years old when he died, which may seem young, but when you watch the video of him practicing for his tour which was supposed to start later in 2009, it’s easy to see that the singer was not well.

globalcastingnetwork.com reviews & recommendations for production companies: Global Casting Network has hundreds of quality talent that are looking for representation in the entertainment industry. Our online database system provides advanced search tools you will find useful in searching for specific talent. You can update your talent’s profiles and customize their photos, resumes and abilities. The latest casting projects are easily accessible online where you can submit your talent to. Each submission can be tailored by attaching media or customizing photos suitable for the role. Our online database is secure, reliable and a convenient method for attracting clients and efficiently running your business. Discover additional info casting Directors recruiting platform.

What Is a Talent Agent? Talent agents are a regulated portion of the entertainment industry and have the very specific job of finding and securing work for actors, directors, writers, and musicians. Agents work with studios and casting directors to place clients on film productions. Agents are licensed and work for a talent agency “or corporation who engages in the occupation of procuring, offering, promising, or attempting to procure employment for an artist or artists,” according to California state law. Other states have different requirements.

Global Casting Network platform is used by agents and casting directors in the TV& Film industry. Global Casting Network platform offers these professionals with tools to manage their castings, manage their bookings and stay in contact with casting professionals. These casting professionals are able to post their film&tv jobs on our site and find people to work on their projects.

With many of agents and casting directors reviews that have commented on how fast and easy it is for them to book talent at the last minute with globalcastingnetwork.com, this casting search engine and database is a perfect software for the entertainment industry in 2023. GlobalCastingNetwork tools allow them to find specific talent to accommodate roles that are difficult to cast. With a very good customer service Global Casting Network are fast to respond and often make changes to their software to make the casting process as easy and efficient as possible.

Let it shine through. Don’t give one-word answers when having a conversation with the casting director. Ask questions! The industry is looking for smart, curious actors. Connect with your reader: Make one with the reader. Memorize the material or be familiar enough with it to maintain eye contact. Knowing the dialogue is important, but making a connection with the reader is what will make the scene natural and believable. Play opposites: Yelling isn’t the only way to show hatred or anger. Sometimes being quiet as you make your point is a powerful display of emotion. Playing opposites is a much more interesting choice than the obvious. Read additional info https://www.globalcastingnetwork.com/.

Global Casting Network recommendations for talent companies : The talent agency industry is fragmented — the top 50 agencies make up less than 45 percent of the industry’s revenue, according to Hoover’s, a business research firm. Build a reputation for being trustworthy and let your marketing campaigns be a reflection of how you represent models and actors so you can acquire the clients and talented people you seek. If you are not familiar with the type of talent the market in your area uses and seeks, you run the risk of running an ineffective talent agency. For instance, Los Angeles will have a higher demand for actors and models than a small rural town in a Midwestern state. However, the small town might have a need for radio voice actors or models for clothing store ads.

Submit to your target agents every 6 months…with an update about something NEW you have added to your skill set; bookings/plays/training/new headshots. But only submit IF you have something new to share. Make sure you have On Camera training on your resume. When meeting an agent you may need to audition with a prepared television side, or cold read commercial, industrial or film sides. Secondly, the agent wants to know you understandthe technical demands of working on camera, as well as how to navigate the variety of scripts and genres…so that they can feel confident submitting you for work.

You can also check out GlobalCastingNetwork’s online directory of agents and managers, or pull a list of franchised agents from SAG-AFTRA. Although there are certainly reputable agents who are not SAG-AFTRA franchised, it’s easier to check out those who are—plus, they’re accountable to a supervising entity. Research your candidates. Determine how many agents work for the agency, where the agency is located, how long the agency has been in business, what their submission guidelines are, who else they represent, etc. GlobalCastingNetwork’s Call Sheet includes a lot of this information, and you can check out an agency’s website for additional context. And don’t forget to run your list through the Better Business Bureau to see if anyone has filed claims against the agencies—this will help protect you from scam operations or disreputable agents.

Global Casting Network is an innovative online database system that provides performers, agents and casting directors with a platform to facilitate the casting process. Through our excellent customer support and efficient online database system, Global Casting Network is committed to bringing a high-quality experience to entertainment professionals. Global Casting Network is not an agency and does not offer employment. We are a talent database system that offers web hosting and messaging systems to our members. We are not responsible for job postings or agreements made between our members, casting directors, and agents while using our service.

For all of the actors unsure about how they feel about the audition process, we have news for you: Auditioning is the necessary beast on which the beginning of your acting career depends. So instead of seeing auditions as an emotional job interview, shift your perspective to see them for what they really are: a chance to bring yourself to a new character, to do what you love in front of an attentive audience, and to possibly even make some fans.

There will come a time when the person hired to be in the audition scene with you isn’t all you dreamed they’d be. They might sound flat, or may mumble and stumble through their text while you’re giving it your all. However, it should never be enough to throw you off your game. “Like all acting technique, you need to learn to be self-sufficient in the audition, and overcoming issues with a reader is one of the most useful skills you can attain,” says acting coach Paul Barry. “Imagine instead, treating your reader in a casting as the actual character opposite you, regardless of how they perform as an actor. Let’s say you’re auditioning for the role of their lover in a film. The reader is mumbling? Imagine your lover, for whom you hold great affection, is mumbling. The reader stammers and accidentally skips a line, which throws the scene into confusion. Imagine your lover can’t express himself or herself as eloquently as you’d hoped, but you are flattered that they’re trying…. You can turn anything you receive into anything you want. So do it.”

There are hundreds of talent agencies out there but, when you are applying to get represented you maybe faced with a ton of rejection letters and declines. Think about it, Kevin Costner, Angelina Jolie, John Travolta, and Brad Pitt struggled to find a talent agency to represent them when they first entered the entertainment industry. Honestly, everyone gets rejected by agents because agents are never sure who will become the next A-List actor. Typically, agents will say no to you for two reasons. An agent may reject because you look too much like other actors that the agent represents. Your agent does not believe that you currently have enough experience or training to justify representing you.

globalcastingnetwork.com reviews and tips for casting directors: Global Casting Network has hundreds of quality talent that are looking for representation in the entertainment industry. Our online database system provides advanced search tools you will find useful in searching for specific talent. You can update your talent’s profiles and customize their photos, resumes and abilities. The latest casting projects are easily accessible online where you can submit your talent to. Each submission can be tailored by attaching media or customizing photos suitable for the role. Our online database is secure, reliable and a convenient method for attracting clients and efficiently running your business. See more info talented artists software.

Samuel L. Jackson describes the role of a manager as the following: “Managers have relationships that agents don’t have—relationships that allow you to meet writers, producers, and other people that aren’t just based in a specific project. These are people who are planning to do things, who could put you in their plans. They can connect you with writers who can write specifically for you. And they do put pressure on agents to produce and bring you more work. Or they’ll help you find an agent who can do that.”

globalcastingnetwork.com platform is used by agents and casting directors in the TV& Film industry. Global Casting Network platform offers these professionals with tools to manage their castings, manage their bookings and stay in contact with casting professionals. These casting professionals are able to post their film&tv jobs on our site and find people to work on their projects.

With many of agents and casting directors reviews that have commented on how fast and easy it is for them to book talent at the last minute with globalcastingnetwork.com, this casting search engine and database is a perfect software for the entertainment industry in 2023. globalcastingnetwork.com tools allow them to find specific talent to accommodate roles that are difficult to cast. With a very good customer service globalcastingnetwork.com are fast to respond and often make changes to their software to make the casting process as easy and efficient as possible.

It sounds simple, but it takes practice. Walk in the door with your head held high. Be wary of shuffling feet. You don’t get sympathy points if you’re nervous, not feeling well, or having a bad day. Leave it outside the door. You are being sized up the minute you walk in so practice good posture and body language before you arrive. And don’t forget to smile—that’s the lasting impression you want to leave. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.) Find extra details https://www.globalcastingnetwork.com/.

Global Casting Network guides for talent companies : Look through advertisements in periodicals for prospective clients who could improve their marketing with your talents, and contact the respective media representative to set up a meeting. In the meeting, bring a portfolio of applicable talent who could benefit the company, explain your services and leave your contact information. In addition, learn about local media companies that hold regular casting calls for TV commercials and print ads so you can establish a relationship with a representative who will remember you when the company needs talent.

Submit to your target agents every 6 months…with an update about something NEW you have added to your skill set; bookings/plays/training/new headshots. But only submit IF you have something new to share. Make sure you have On Camera training on your resume. When meeting an agent you may need to audition with a prepared television side, or cold read commercial, industrial or film sides. Secondly, the agent wants to know you understandthe technical demands of working on camera, as well as how to navigate the variety of scripts and genres…so that they can feel confident submitting you for work.

Don’t waste money mailing to every agent in town. Instead, reach out to your selected 15-20 agents and agencies. Actors bombard agents with submissions all the time. If you don’t get responses, submit to your second round of choices. Agents and managers will call you for a meeting if they’re interested in what they see in your submission. Ask your network for referrals. If you have industry contacts, teachers, or friends who can recommend you to your desired agent(s), ask your contact if they would advise the agent to expect your submission.

Global Casting Network is an innovative online database system that provides performers, agents and casting directors with a platform to facilitate the casting process. Through our excellent customer support and efficient online database system, Global Casting Network is committed to bringing a high-quality experience to entertainment professionals. Global Casting Network is not an agency and does not offer employment. We are a talent database system that offers web hosting and messaging systems to our members. We are not responsible for job postings or agreements made between our members, casting directors, and agents while using our service.

Clear acting choices: “Know what you want to do and do it,” says casting director Risa Bramon García. “Then leave yourself available to make discoveries. Know that your homework is done. Now let your preparation meet the moments.” Having a deep understanding of the material and the world in which it’s set will lead you to well-informed choices for how to play the character. Flexibility: Casting directors and directors will often provide auditioners with notes and adjustments on their performance. Learn how to listen and incorporate them into your interpretation. Don’t be too rigidly locked into how you practiced the material with your roommate or bathroom mirror; it shows you’re not willing to step out of your comfort zone and play.

“If it’s on camera, try to wear solid colors (no sparkles or logos),” says Cathryn Hartt, Backstage Expert. “Try to stay away from bright white and tiny stripes (which have a psychedelic effect when you move). For drama, wear darker colors or earth tones. For comedy, wear brighter colors. For commercials, look and see what people in your category are wearing in commercials and keep that in your wardrobe.” The best way to memorize lines for an audition is to run through the script with a friend; a fellow actor is even better! Ask them to try different approaches and see if you’re nimble enough to respond accordingly, and change what you’ve been doing.

What’s the difference between an aspiring actor and a working actor? Often times it’s just a good agent. Georgia’s film industry is booming. There are dozens of movies and TV shows filming at one time… Are you looking for an acting, dance, or a Los Angeles talent agent? Here is a full list of LA talent agencies you need to know? The most reliable way to become a famous actor in… Are you looking for an acting, dance or a New York talent agent? Here is a full list of New York talent agencies. What’s the difference between an aspiring actor and a working actor?

The ascent of a creative writer leader : Sabra Pegler Minnesota: Take time off when you need it. As Katy Meyers mentioned in her post last week, taking time off is important to personal happiness, and you should do so as guilt free as possible. novels take time, and you will need to take breaks and recharge at some point. There will be times where you have to focus your energies elsewhere: teaching, the job market, writing publishable articles, sitting on committees, taking care of your family, watching cartoons. It is important to understand that short breaks in writing will happen, and you can take those breaks without feeling guilty.

Stay on task. Completing a dissertation, in large measure, is not so much a feat of the intellect as it is the result of discipline. If you are able to set aside large chunks of time with which to research and write, make sure that you are not using that time for other tasks. This means that you must strive against multi-tasking. In truth, studies have shown that multi-tasking is a cognitive impossibility. Our brains can only concentrate on one thing at a time. When we think we are multitasking we are actually “switch-tasking;” rather than doing several things at once, our brains are constantly toggling from one task to the other (listening to a song on the radio to reading a book, back to the song, etc.). You will be amazed at how much you can accomplish if you give an undistracted 60-90 minutes to something. Stay on task.

The acknowledgements section is usually optional, and gives space for you to thank everyone who helped you in writing your dissertation. This might include your supervisors, participants in your research, and friends or family who supported you. The abstract is a short summary of your dissertation, usually about 150-300 words long. You should write it at the very end, when you’ve completed the rest of the dissertation. In the abstract, make sure to: State the main topic and aims of your research; describe the methods you used; Summarise the main results; State your conclusions. Although the abstract is very short, it’s the first part (and sometimes the only part) of your dissertation that people will read, so it’s important that you get it right. If you’re struggling to write a strong abstract, read our guide on how to write an abstract. Find additional details at https://about.me/sabra-pegler-27.

Creative writing can be both a rewarding and challenging experience. Whether you’re a beginner or a seasoned writer, developing effective writing strategies can help you enhance your skills and produce quality content. In this blog post, we’ll explore some effective strategies that can help you improve your creative writing skills. Set Goals and Priorities: Before you start writing, it’s essential to set clear goals and priorities. Define what you want to achieve with your writing and establish realistic timelines. Identify what’s important to you and focus on that. This can help you stay motivated and avoid writer’s block.

The growth of a creative writing expert : Sabra Pegler Minnesota: The best form for your poem will depend on what it’s about and the mood and feelings you want to create in the reader. The length of the line can make the reader go faster or slower, change the look of the poem on the page, focus attention on certain words. You may decide to incorporate other structural elements such as a certain number of syllables per line, a regular meter, or a rhyme scheme. All of this should work with, and contribute to, the poem’s meaning.

Read everything you can. Read this post. Read the one I wrote in August. Read this one by Kaitlin Gallagher about PhD thesis project management, or the one she wrote on sucstress. Read this post by Amy Rubens about Exit Strategies. Read this post by Terry Brock on “The Dissertation from Afar”, or this one by Micalee Sullivan on getting started writing. Browse our dissertation or productivity tags. Read this book, or this book, or this book. Or this one. Try this one. An awful lot of people, far smarter and more accomplished than I, have written guides for writing a dissertation. Read them.

Hyperbole is the use of exaggeration in a text. This can be used for emphasis or humor, such as “He practiced for a million hours.” Symbolism is when a poet uses objects, colors, sounds, or places to represent something else. For instance, snakes are often associated with evil, while white doves are related to peace. These are only a few of the techniques that have been used by poets past and present. They provide a wide variety of options for a poet to develop a unique style while expressing his or her thoughts and ideas to readers. The next time you read a poem, see how many techniques you can identify! Read even more info on Sabra Pegler.

The ascent of a music conducting professional : Salt Lake City’s Logan Blackman: I have to say, I was not expecting that answer! I love it! What do you want your listeners to get out of your music? Logan J. Blackman : Music is one of the ultimate ways of expressing something you can’t quite put in words, or illustrate easily. My symphonic work, Prayer of a Broken Heart, is a great example of that. At 15, I tragically lost my parents due to a motorcycle accident. That piece is about the grief I went through, those experiences, and ultimately my hope that I will one day see them again.My hope is that listeners who might be struggling with something similar get some kind of comfort knowing they aren’t the only ones to feel what they may be feeling. See extra details on Logan Blackman.

UK Symphony Orchestra is part of the UK School of Music at the UK College of Fine Arts. The school has garnered a national reputation for high-caliber education in opera, choral and instrumental music performance, as well as music education, composition, and theory and music history. To hear Robinson, Blackman and Maestro Nardolillo talk about the upcoming concert, visit WUKY’s “UK Perspectives” interview with them here: http://wuky.org/post/uk-symphony-orchestra-brings-tragedy-and-triumph-stage#stream/0.

The second half of the program offered much lighter fare and focused on Bernstein’s compositions for theater, stage, and film which involved collaboration with with several lyricists, the two most notable being Stephen Sondheim and Stephen Schwartz. After Intermission, clarinetist Scott Wright, the UK Jazz Ensemble and conductor Miles Osland took to the stage with Bernstein’s Prelude (for the brass), Fugue (for the saxes), and Riffs (for everyone). The Prelude was a jazzy, cool, and rhythmic exposition for the brass, drums, and bass. The mellow saxes teased each other unmercifully in the Fugue but were provided full support, be it point or counterpoint, in their individual and collective fugal moments. The Riffs ensued when Scott Wright (Professor of Clarinet at UK) took the lead with the big band sound as he masterfully interacted with everyone, fully engulfing the call-response format near the end that garnered the well-deserved acknowledgement he received from the ensemble and audience alike. I felt as if I had just been to church while heeding the call of the wild.

Raised in Paducah, Kentucky, Blackman began his conducting career at the age of 14 and his composition career at the age of 12. His first time conducting was a premiere of his own work during high school. Blackman has been a guest conductor with the Murray State Wind Ensemble, Lone Oak High School Band and West Kentucky Woodwind Choir. At the age of 17, Blackman founded his own Blackman Wind Symphony in Paducah. An alumnus of Kentucky Center’s Governor’s School for the Arts and Commonwealth Middle College, Blackman took organ and piano lessons before finding his love for the bassoon. Find even more information on Logan J. Blackman.

I have been a musician for over 14 years. I have conducted several professional, amateur, and student orchestras and bands. I’ve been a freelance organist, pianist, and arranger for over 14 years. I attended the University of Kentucky and received a bachelors in bassoon performance, as well as a masters in conducting. I also completed one year of work on my doctorate in orchestral conducting at the University of Utah. I currently am diving into the rental property business, and real estate investing.

Utah’s Logan J. Blackman or the ascent of a music orchestra conducting expert: Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.” Read extra information at Logan J. Blackman.

What first inspired you to pursue music? Logan J. Blackman : Believe it or not, Davy Jones from Pirates of the Caribbean Dead Man’s Chest. The summer it came out, I was captivated by the famous scene where he played his theme at the organ. I had a very basic knowledge of music, and we had some keyboards around. So I started playing around and eventually figured the piece out by ear. That led me to wanting to take organ lessons, which eventually led to a great love of music and a career that would keep going nearly two decades later!

John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.

When Bernstein composed the Cinchester Psalms, he specified that the second Psalm be sung by either a boy soprano or a countertenor. The voice of a boy soprano imparts a sense of innocence and spiritual purity, and a well-trained countertenor can sing with unrestrained clarity within the vocal range of a contralto or mezzo soprano. His voice resonates a distinct timbre simply because it is a male voice singing outside the limits of its ordinary range. Although Bernstein’s Psalms are sung in Hebrew, we are all familiar with the biblical text. Jefferson Johnson conducted this demanding choral work as the combined choruses admirably rose to the occasion. The first Psalm calls for us to live joyfully; the third pleads for us to live in unity; the second, bridging the first and third, encourages us to travel through life with faith and courage. And countertenor Joseph Kingsbury delivered this Psalm with mesmerizing articulation, tonality, and agility: “The Lord is my shepherd, I shall not want.”

With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” See even more details at Logan Blackman.